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Happy End
A Worm’s Tail View Is Often the True One: Films by Pere Portabella
Content Anxiety
Solaris
ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
ARTICLE
A Place Weeping: Gaza and the Myriad Abuses
By
John Berger
ESSAY
Broken Trust of the Image
By
Dai Vaughan
ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
INTERVIEW
The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema
By
James Norton
ARTICLE
Theory and Practice at the Crossroads
By
Clive Myer
ARTICLE
Fascination (1942-2005)
By
Mike Hoolboom
ARTICLE
A Letter from the Edge: Making and Surviving The Fall
By
Peter Whitehead
INTERVIEW
At Least I Will Know My Face
By
Lucy Reynolds
Prismatic Music: The Films of Joseph Bernard
pic.london festival
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