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The Liberated Film Club
ARTICLE
Hush-a-Bye Baby
By
Margaret Dickinson, Anne Cottringer and Julian Petley
ARTICLE
Where New Dreams Are Drawn: For a Cinema of Interiority
By
Adam Kossoff
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Godard's Sons: Why Are they all Bastards?
By
Laurence Remila
ARTICLE
Only Connect
By
Sukhdev Sandhu
ARTICLE
My Father’s Country
By
Maryclare Foá
INTERVIEW
Conte de Fesses to Conte de Fées
By
James Norton
INTERVIEW
The Mind of a Commissioning Editor
By
Michael Chanan and Margaret Dickinson
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
The State of Documentary
By
Michael Chanan
REVIEW
Desire and Sexuality – Animating the Unconscious
By
David Surman
ARTICLE
Moving Memories: Variety
By
Ian Breakwell
ARTICLE
These Isles are Alive with the Buzz of D1g1ts
By
Brian Winston
INTERVIEW
For Cannes or Abidjan?
By
Holly Aylett
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