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ARTICLE

Turning to Dust: The Gothic Cinema of Philip Ridley

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Why and for Whom Do We Film Today?

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Oberhausen 2009

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A Long, Hot Summer in a Small Polish Town

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The Man from London

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Digital Futures: Independents' Day

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For Tomorrow’s Witness

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Strangeness of Seeing

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(Un)real Versions of Experience

DIARY

High Artic, High Definition

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Hell at the Ocean's Edge

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Which Garden?: Michael Wadleigh's Woodstock

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Enter technology | Enter art | Enter perspective

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Return of the Frontiersman: Rudy Wurlitzer in Conversation

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