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A Worm’s Tail View Is Often the True One: Films by Pere Portabella
ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
ESSAY
Trailer for Godard's Histoire(s) du Cinema
By
Jonathan Rosenbaum
OBITUARY
When Faces Counted Most
By
Noah Isenberg
ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
INTERVIEW
For Cannes or Abidjan?
By
Holly Aylett
ARTICLE
First World Film
By
Mark Cousins
ARTICLE
Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List
By
Linda Pariser
ESSAY
Three Images of May: Cinema and the Uprising
By
Chris Darke
ARTICLE
Channel Hopping
By
Simon Cropper
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
INTERVIEW
A Story of Experimental Film
By
Louis Benassi
ESSAY
24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde
By
Juliet Jacques
BIOGRAPHY
An Introduction to Chantal Akerman
By
Vivian Ostrovsky
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