Home
Film Programmes
Library
Membership
Venue Hire
Vertigo Magazine
Archive
Related Items
prev
-
57
-
58
-
59
-
60
-
61
-
62
-
63
-
64
-
65
-
next
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
BIOGRAPHY
An Introduction to Chantal Akerman
By
Vivian Ostrovsky
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
The Switchboard Operator
By
Colin McArthur
ARTICLE
The Mind's Eye: Chris Marker Level Five
By
Allan Francovich
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
ARTICLE
Once More, into the Zone... Chris Marker Looks Back, in Wonder
By
Chris Darke
ARTICLE
First World Film
By
Mark Cousins
REVIEW
Future Cinema & Trafic 50
By
Chris Darke
INTERVIEW
Moonstruck: Robert Lepage Floats in Space
By
Jason Anderson
ARTICLE
Return of the Real: Introducing The Artists Cinema
By
George Clark
LETTER
Paris Cartes Postales/Tarots
By
Sophie Mayer and Lady Vervaine
ARTICLE
Show and Tell: A Report on The Party and the Guests
By
Michael Brooke
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
prev
-
57
-
58
-
59
-
60
-
61
-
62
-
63
-
64
-
65
-
next
