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ARTICLE

In a Lonely Place: Tony Grisoni’s Kingsland

By Iain Sinclair

INTERVIEW

From the Beats to the Beastly

By Jay Clifton

ARTICLE

How Iran's 'filmfarsi' Remains the Biggest Secret in Cinema History

By Ehsan Khoshbakht

MANIFESTO

Anthanasian, Under the Magic Lantern

By Fernando Birri

INTERVIEW

Hard Currencies

By Robert Chilcott

ARTICLE

All my Eye and Aristotle: Editing European Films

By Roger Crittenden

Close-Up on Orson Welles

INTERVIEW

One to One: Jean-Luc Godard Speaks

By Mike Dibb

INTERVIEW

Science and its Signs

By James Leahy

INTERVIEW

Silence. Repetition. Rhythm. Into Great Silence and the Cinema of Spirit

INTERVIEW

Second Run, First class

By Kieron Corless

ARTICLE

Driessen: Multiple Image and Audience Expectation

By Ruth Lingford

ARTICLE

Cinema of Ideas

By Catharine des Forges

INTERVIEW

The Filmmaker that Rises to the Surface of Clarified Butter

By George Clark and Mark A. Webber

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ARTICLE

In a Lonely Place: Tony Grisoni’s Kingsland

INTERVIEW

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ARTICLE

How Iran's 'filmfarsi' Remains the Biggest Secret in Cinema History

MANIFESTO

Anthanasian, Under the Magic Lantern

INTERVIEW

Hard Currencies

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All my Eye and Aristotle: Editing European Films

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One to One: Jean-Luc Godard Speaks

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Silence. Repetition. Rhythm. Into Great Silence and the Cinema of Spirit

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Driessen: Multiple Image and Audience Expectation

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Cinema of Ideas

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The Filmmaker that Rises to the Surface of Clarified Butter

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