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Close-Up on Orson Welles
ARTICLE
Dead Pan
By
Mike Sperlinger
ESSAY
U.S. and Them: I’m Not There and American Surrealism
By
Jerry White
FILM
Catherine
Director:
Jean Renoir
ESSAY
“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling
By
Corin Depper
ARTICLE
Vertigo Café: 'Screen Griots' African Cinema in London
By
Michael Chanan
ARTICLE
Visual Art and the Moving Image
By
James Swinson
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
INTERVIEW
The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema
By
James Norton
ESSAY
Entering the Desert: The Book of Film Socialisme
By
James S. Williams
ARTICLE
African Cinema: Addressee
By
Rod Stoneman
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
The Return of Robert Nelson
By
George Clark
FILM
Rise Of Catherine The Great
Director:
Alexander Korda
ARTICLE
Doomed L’Amour de la Mer
By
Robert Chilcott
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