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By Metin Alsanjak

ARTICLE

Carla's Song: Talking to Ken Loach

By Ken Loach

Absent Forces: The Politics of the Eerie in English Rural Moving Image

ARTICLE

Jean-Luc Godard: Vivre sa Vie

By Frieda Grafe

ARTICLE

New Technology: Two or Three Things I Know about 'Media Effects'

By Julian Petley

Something to Live for

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

REVIEW

Paulo Antonio Paranagua, Mexican Cinema

By Rob Rix

From Bliss to Garden Pieces: Gregory Markopoulos and Margaret Tait

INTERVIEW

At Least I Will Know My Face

By Lucy Reynolds

ARTICLE

Godard's Sons: Why Are they all Bastards?

By Laurence Remila

Close-Up on Andrei Tarkovsky

INTERVIEW

27 Years Without Images

By Julian Ross

INTERVIEW

Living in the Dark: An Interview with Jonathan Romney

By Chris Darke

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Carla's Song: Talking to Ken Loach

Absent Forces: The Politics of the Eerie in English Rural Moving Image

ARTICLE

Jean-Luc Godard: Vivre sa Vie

ARTICLE

New Technology: Two or Three Things I Know about 'Media Effects'

Something to Live for

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

REVIEW

Paulo Antonio Paranagua, Mexican Cinema

From Bliss to Garden Pieces: Gregory Markopoulos and Margaret Tait

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At Least I Will Know My Face

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Godard's Sons: Why Are they all Bastards?

Close-Up on Andrei Tarkovsky

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27 Years Without Images

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Living in the Dark: An Interview with Jonathan Romney