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By John Mepham

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ESSAY

The Empire’s New Clothes: Sally Potter’s RAGE

By Sophie Mayer

ESSAY

Image, Meaning, History… & the Voice of God

By James Leahy

ARTICLE

Creative Capacities of Developing Countries

By Alessandra Meleiro

INTERVIEW

A Long, Hot Summer in a Small Polish Town

By Nancy Harrison

ARTICLE

In a Lonely Place: Tony Grisoni’s Kingsland

By Iain Sinclair

SCRIPT

Germany and England / England and Germany: Proposal for a Film, June 2008

By Chris Petit

DOCUMENT

Here Is Where we Meet

By John Berger

ARTICLE

For Tomorrow’s Witness

By Don Redding

ESSAY

Intimate Witnesses

By Catherine Elwes

ARTICLE

Tilda Swinton: In the Spirit of Derek Jarman

By Tilda Swinton

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Why and for Whom Do We Film Today?

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The Empire’s New Clothes: Sally Potter’s RAGE

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Image, Meaning, History… & the Voice of God

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Creative Capacities of Developing Countries

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A Long, Hot Summer in a Small Polish Town

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In a Lonely Place: Tony Grisoni’s Kingsland

SCRIPT

Germany and England / England and Germany: Proposal for a Film, June 2008

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Here Is Where we Meet

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For Tomorrow’s Witness

ESSAY

Intimate Witnesses

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Tilda Swinton: In the Spirit of Derek Jarman