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By Jem Cohen

Let It Go, Mates

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

ARTICLE

The State of Documentary

By Michael Chanan

James Benning: Landscape Suicide

OBITUARY

Fragments for H: A Personal Tribute to Hrvoje Horvatic

By Chris Darke

INTERVIEW

A Story of Experimental Film

By Louis Benassi

MANIFESTO

The Filmmaker as Symbiont

By Manu Luksch and Mukul Patel

QUESTION AND ANSWER

Five Broken Cameras

By Elizabeth Wood

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

By Dai Vaughan

QUESTION AND ANSWER

Remake

INTERVIEW

Let a Thousand Flowers Bloom

By Holly Aylett

Air Cries "Empty Water" + Decasia

INTERVIEW

Attention: Benedek Fliegauf, Milky Way and a Cinema of Meditation

By John Bradburn

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Let It Go, Mates

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

ARTICLE

The State of Documentary

James Benning: Landscape Suicide

OBITUARY

Fragments for H: A Personal Tribute to Hrvoje Horvatic

INTERVIEW

A Story of Experimental Film

MANIFESTO

The Filmmaker as Symbiont

QUESTION AND ANSWER

Five Broken Cameras

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

QUESTION AND ANSWER

Remake

INTERVIEW

Let a Thousand Flowers Bloom

Air Cries "Empty Water" + Decasia

INTERVIEW

Attention: Benedek Fliegauf, Milky Way and a Cinema of Meditation