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ARTICLE
Penny Woolcock on Exodus
By
Penny Woolcock
ARTICLE
The Memo Book: The Films and Video of Matthias Muller
By
Stefanie Schulte Strathaus
ARTICLE
Doomed L’Amour de la Mer
By
Robert Chilcott
ARTICLE
Reeling: Is the British Film Institute at Risk?
By
Michael Chanan
ARTICLE
Hello Fruitfulness
By
Simon Cropper
MANIFESTO
Two Thousand Words: A Manifesto for Prague
By
Ludvik Vaculik
ARTICLE
The Sins of the Father: Andrei Zvyagintsev in Conversation
By
James Norton
ARTICLE
Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema
By
Jerry White
ARTICLE
Film Frame to Skin Cell
By
Niamh McDonnell
REVIEW
Underground, Overground: OMSK and tank: Stories of our Times
By
Philip Ilson
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
QUESTION AND ANSWER
Propaganda for the Politics of Joy and Disorder
By
Stuart Comer
Nippon Year Zero: Japanese Experimental Films from the 1960s-1970s
Sasha Litvintseva: The Spectacle of History
Man of Iron
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