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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Pandaemonium
By
Sarah Turner
REVIEW
Gallivant II
By
Margaret Dickinson
ARTICLE
Duality of Light
By
Wendy Walker
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
ARTICLE
How Very Dare He
By
Owen Armstrong
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
My Grandfather’s House
By
James Leahy
ARTICLE
The Freefall Death of the Cultural Critic and Other Related Matters, or, the Art of Nonchalance
By
Chris Petit
ARTICLE
And this is Now: Reflection on Eight Months of the Lux Cinema
By
Helen de Witt
POEM
The Moving Image
By
Gareth Evans
ARTICLE
Making the Political Personal
By
Owen Armstrong
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
Between Land and Sea: Art and the Bigger Picture
By
Steven Ball
REVIEW
Forever War
By
Lee Hill
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