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A Worm’s Tail View Is Often the True One: Films by Pere Portabella
LETTER
Dear Commissioning Editor: 10 Years of Channel 4
By
Anne Cottringer
ARTICLE
Wholly Attending: Notes on the Lessons of Black Sun
By
Gareth Evans
ARTICLE
Ivan Passer's Intimate Lighting
By
Graeme Hobbs, Mehelli Modi
ARTICLE
New Technology: The Human V-Chip
By
Anna Karlin and Alexis Karlin
INTERVIEW
Chaos Theories
By
Mar Diestro-Dopido
POEM
The Bric-a-brac of Memories: Reflections
By
Tereza Stehlíková
ARTICLE
1968: The Year that Was, Was many Things
By
Tony Elliott
ARTICLE
The Mind's Eye: Chris Marker Level Five
By
Allan Francovich
INTERVIEW
Second Run, First class
By
Kieron Corless
Yasujirō Ozu: Noriko Trilogy
ARTICLE
Screen Academy Scotland
By
Pepe Petos, Lili Sandelin, Hermann Karlsson, Mattias Karlsson, Damian Wood, Paul Gray, Lin Anderson, Catriona Craig, Kelly Neal, Astrid Bussink, Joseph N Feltus and Neil Gillies
ESSAY
In the Perceptible Field
By
Catherine Elwes
INTERVIEW
God Exists in Cinema, and Nowhere Else
By
John Bradburn
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
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