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The Image Book
Weekend
A Film Like Any Other
Notre Musique
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
OBITUARY
We do everything for this art, but this art isn’t everything
By
George Clark and Redmond Entwistle
REVIEW
Antonioni's The Passenger
By
Henry K. Miller
ARTICLE
Luminous Days: Notes on the New German Cinema
By
Ekkehard Knörer
'16': 16 Films | 16 Filmmakers | 16mm
La Chinoise
Sex, Politics, Art and Revolution: French Cinema in 1968
Close-Up on Luis Buñuel
Persona
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