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ARTICLE
Nothing Is True. Everything Is Permissible.
By
John Bradburn
ARTICLE
Lights, Camera, Military Action…
By
Guy Westwell
ARTICLE
Recommendations from the Education and Training Committee
By
Clive Myer
ARTICLE
Wanting Now: A Thought for Trafalgar Square
By
John Berger
ARTICLE
Pils Slip
By
John Greyson
LETTER
A Letter to a Boy from his Mother
By
Tilda Swinton
INTERVIEW
Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands
By
William Fowler
ARTICLE
The Cinematic Tango: Contemporary Argentine Film
By
Tamara Falicov
ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
INTERVIEW
Together we Stand
By
Jack Newsinger
ARTICLE
Reeling: Is the British Film Institute at Risk?
By
Michael Chanan
ARTICLE
Singapore Sings
By
Ben Slater
MANIFESTO
Two Thousand Words: A Manifesto for Prague
By
Ludvik Vaculik
ARTICLE
Disreputable Behaviour: The Hidden Politics of the Thai Film Act
By
May Adadol Ingawanij
ARTICLE
Do Impossible Things: 1968 and its Legacies
By
Sukhdev Sandhu
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