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DOCUMENT
For Tomorrow’s Witness
By
The filmmakers of Lebanon
|
Israel
Close-Up on Robert Bresson
Chimes at Midnight
A Woman Is a Woman
Detective
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
How the Mummy Came out of its Tomb
By
Peter Lennon
INTERVIEW
Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s
By
Mark Goodall
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
Sarah Pucill: Confessions to the Mirror / Magic Mirror
Close-Up on Éric Rohmer
Sergei Parajanov: Reminiscence
Book-Paper-Scissors
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
ARTICLE
The Sound of Story
By
Stephen Daltry
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