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ARTICLE
How Iran's 'filmfarsi' Remains the Biggest Secret in Cinema History
By
Ehsan Khoshbakht
Kieślowski’s Three Colours
Dante Is not only Severe
A Woman Is a Woman
Mulholland Drive
Absent Forces: The Politics of the Eerie in English Rural Moving Image
Flux at the Minema 1994 / 2024
Close-Up on Michael Haneke
Compensation
ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
INTERVIEW
Letters from the Shadows
By
Graeme Hobbs
ARTICLE
Real Lives: Camcorder Cults
By
Jon Dovey
ARTICLE
Think, Shoot, Distribute
By
Peter Fraser
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