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By Sophie Mayer

ARTICLE

Turning to Dust: The Gothic Cinema of Philip Ridley

By James Rose

ARTICLE

Dancing at the Crossroads

By Sue Clayton

ARTICLE

What Was GATT About?

By Michael Chanan

REVIEW

Magnum Cinema

By James Leahy

ARTICLE

Future of the BFI: Grandeur and Misery of Film Culture

By Geoffrey Nowell-Smith

ARTICLE

The Critic as Censor

By Julian Petley

ARTICLE

Vertigo Café: Jon Jost and ‘Dokumenta’

By WR and MD

ARTICLE

Joined-up Reading: The Problem of Subtitles

By Jane Giles

INTERVIEW

Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

By Robert Chilcott

ARTICLE

Like an Anaconda, Blowing in the Wind

By Mark Stafford

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

ARTICLE

The Gang that Can't Shoot Straight

By Brian Robinson and Lucinda Henderson

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Turning to Dust: The Gothic Cinema of Philip Ridley

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Dancing at the Crossroads

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What Was GATT About?

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Magnum Cinema

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Future of the BFI: Grandeur and Misery of Film Culture

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The Critic as Censor

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Vertigo Café: Jon Jost and ‘Dokumenta’

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Joined-up Reading: The Problem of Subtitles

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Like an Anaconda, Blowing in the Wind

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The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

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The Gang that Can't Shoot Straight