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By Patrick Wright

OBITUARY

We do everything for this art, but this art isn’t everything

By George Clark and Redmond Entwistle

ARTICLE

Emotional Locations: A Meeting with Ryuichi Hiroki

By Maggie Lee

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

By Louis Benassi

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

Close-Up on Robert Altman

Islands of Fire: The Cinema of Vittorio De Seta

Close-Up Year 20

ARTICLE

Godard's Sons: Why Are they all Bastards?

By Laurence Remila

QUESTION AND ANSWER

Bearing Witness... Tony Garnett on Cops, Community and the TV Audience

By M.K. MacMurraugh-Kavanagh

OBITUARY

A Snail’s Trail in the Moonlight

By Mark Webber

ESSAY

Turn On, Tune In, Cop Out: The Commodification of Revolution

By Penny Rimbaud

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Close-Up on Sergei Eisenstein

Cinema of the Self: Personal Documentary in Japan

Fairytale

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On Civil Defence and the Staging of Modern Politics

OBITUARY

We do everything for this art, but this art isn’t everything

ARTICLE

Emotional Locations: A Meeting with Ryuichi Hiroki

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

Close-Up on Robert Altman

Islands of Fire: The Cinema of Vittorio De Seta

Close-Up Year 20

ARTICLE

Godard's Sons: Why Are they all Bastards?

QUESTION AND ANSWER

Bearing Witness... Tony Garnett on Cops, Community and the TV Audience

OBITUARY

A Snail’s Trail in the Moonlight

ESSAY

Turn On, Tune In, Cop Out: The Commodification of Revolution