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ARTICLE
Hotel Diaries: John Smith Makes Room for Reflection
By
Ian Christie
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
ARTICLE
In Bocca al Lupo
By
Rosy Rockets
ARTICLE
Why the Documentary Cinema?
By
Henri Storck
INTERVIEW
What is Animation? Bob Godfrey in Conversation
By
Martin Pickles
ESSAY
U.S. and Them: I’m Not There and American Surrealism
By
Jerry White
ARTICLE
The State of Documentary
By
Michael Chanan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Moving Memories: Variety
By
Ian Breakwell
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
INTERVIEW
The Berlin Talent Campus: Playing in the Pregnant Oyster
By
Thessa Mooij
ARTICLE
The Sound of Story
By
Stephen Daltry
ARTICLE
Theory and Practice at the Crossroads
By
Clive Myer
QUESTION AND ANSWER
The Terminal Man
By
Jason Wood
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