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Configurations
Au Contraire: Jean-Luc Godard
ARTICLE
My Father’s Country
By
Maryclare Foá
Histoire(s) du cinéma
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
Kate Adams: Feeling and Knowing
By
Catherine Elwes
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
ARTICLE
No Rest ’Til Zanzibar
By
Kieron Corless
ARTICLE
Stalking the Stalker
By
James Norton
POEM
The Bric-a-brac of Memories: Reflections
By
Tereza Stehlíková
INTERVIEW
Connecting Movements
By
Luke Burton
The Colour of Pomegranates
ARTICLE
Whither the Avant-Garde: The ICA Biennial
By
Chris Petit
ARTICLE
Think, Shoot, Distribute
By
Peter Fraser
M.
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