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ARTICLE

You See the End Before the Beginning Has Ever Begun

By Owen Armstrong

The Long Goodbye

MANIFESTO

The Filmmaker as Symbiont

By Manu Luksch and Mukul Patel

Mythical Poetry: The Cinema of Govindan Aravindan

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

By Dai Vaughan

Close-Up on Shirley Clarke

REVIEW

The Main Course

By the Celluloid Liberation Front

Take Two: Hiroshima Mon Amour / Amour

ARTICLE

Kate Adams: Feeling and Knowing

By Catherine Elwes

The Elephant Man

Elective Affinities

ARTICLE

Smoke Signals from the Seventies

By Sylvia Harvey

Take Two: Johnny Guitar / Pierrot le fou

ARTICLE

Driessen: Multiple Image and Audience Expectation

By Ruth Lingford

Related Items

ARTICLE

You See the End Before the Beginning Has Ever Begun

The Long Goodbye

MANIFESTO

The Filmmaker as Symbiont

Mythical Poetry: The Cinema of Govindan Aravindan

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

Close-Up on Shirley Clarke

REVIEW

The Main Course

Take Two: Hiroshima Mon Amour / Amour

ARTICLE

Kate Adams: Feeling and Knowing

The Elephant Man

Elective Affinities

ARTICLE

Smoke Signals from the Seventies

Take Two: Johnny Guitar / Pierrot le fou

ARTICLE

Driessen: Multiple Image and Audience Expectation

The Killing of a Chinese Bookie