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Absent Forces: The Politics of the Eerie in English Rural Moving Image
Naked
The Elephant Man
Open City Documentary Festival
ARTICLE
Crossing the Borderline
By
Sophie Mayer
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
REVIEW
The Disappearance of Finbar II
By
Sean Cubitt
ARTICLE
Vertigo Café: Friends of the BFI
By
Julian Petley
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
ESSAY
Broken Trust of the Image
By
Dai Vaughan
INTERVIEW
The Mind of a Commissioning Editor
By
Michael Chanan and Margaret Dickinson
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
ESSAY
On a Street of Crocodiles: Channel 4 in an Age of Vision
By
Clare Kitson
SCRIPT
Fragments on Light and Memory
By
John Bradburn
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