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ARTICLE

The Hours Is Not a Film

By John Bradburn

ARTICLE

BFI Films: A Remit for Cultural Diversity

By Jane Giles

ARTICLE

On Civil Defence and the Staging of Modern Politics

By Patrick Wright

ARTICLE

Waving, Drowning or Back Crawl?

By Janet Harbord

ARTICLE

Persistent Fallacy Gives Good Rhetoric

By James Leahy

INTERVIEW

The Film I Will Never Forget

By Catherine Fowler

DOCUMENT

The Abingdon Film Unit

By Jeremy Taylor | Michael Grigsby

ARTICLE

Filming Gravel and Stones in Cambodia

By Edward Hofman

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

By Frances Guerin and Roger Hallas

Related Items

ARTICLE

The Hours Is Not a Film

ARTICLE

BFI Films: A Remit for Cultural Diversity

ARTICLE

On Civil Defence and the Staging of Modern Politics

ARTICLE

Waving, Drowning or Back Crawl?

ARTICLE

Persistent Fallacy Gives Good Rhetoric

INTERVIEW

The Film I Will Never Forget

DOCUMENT

The Abingdon Film Unit

ARTICLE

Filming Gravel and Stones in Cambodia

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

Distant Voices: Terence Davies

Renewal: Artists’ Moving Image from New Zealand

The Last of England

A Worm’s Tail View Is Often the True One: Films by Pere Portabella

Absent Forces: The Politics of the Eerie in English Rural Moving Image

Bogancloch