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ARTICLE

Film Criticism: Why Bother?

By Chris Darke

ARTICLE

After-Image

By Guy Westwell

ARTICLE

Extremes of Independence

By Tetsuaki Matsue

REVIEW

The Politics of Documentary: Michael Chanan’s Argument Considered

By Martin Carter

ARTICLE

Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material

By Rosy Rockets

ESSAY

Turn On, Tune In, Cop Out: The Commodification of Revolution

By Penny Rimbaud

ESSAY

Three Images of May: Cinema and the Uprising

By Chris Darke

INTERVIEW

Free Radical

By Michael Brooke

ESSAY

"but i still haven’t figured out the meaning of life." Notes on Jan Peters’ Cycle of Short Films I Am...

By Claus Löser

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

Kurt Kren: Which Way to CA?

INTERVIEW

Binka: To Tell a Story About Silence

By Sean Kaye-Smith

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ARTICLE

Film Criticism: Why Bother?

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Extremes of Independence

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The Politics of Documentary: Michael Chanan’s Argument Considered

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Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material

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Turn On, Tune In, Cop Out: The Commodification of Revolution

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"but i still haven’t figured out the meaning of life." Notes on Jan Peters’ Cycle of Short Films I Am...

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Close-Up on New Hollywood

The Cinemascope Trilogy

Fireflies Issue #4: Pedro Costa / Ben Rivers Launch + What Means Something & Sack Barrow