Archives

ARTICLE

1968: And it All Started in Vietnam

By Philip Jones Griffiths

ARTICLE

In a Lonely Place: Tony Grisoni’s Kingsland

By Iain Sinclair

The Liberated Film Club

MANIFESTO

The Cambridge Document

MANIFESTO

The Double {+} Anchor: Notes Towards a Common Cause

By Jem Cohen

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

ARTICLE

The State of Documentary

By Michael Chanan

James Benning: Landscape Suicide

OBITUARY

Fragments for H: A Personal Tribute to Hrvoje Horvatic

By Chris Darke

INTERVIEW

A Story of Experimental Film

By Louis Benassi

MANIFESTO

The Filmmaker as Symbiont

By Manu Luksch and Mukul Patel

QUESTION AND ANSWER

Five Broken Cameras

By Elizabeth Wood

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

By Dai Vaughan

ARTICLE

From across the Channel

By Philippe Carcassonne

Related Items

ARTICLE

1968: And it All Started in Vietnam

ARTICLE

In a Lonely Place: Tony Grisoni’s Kingsland

The Liberated Film Club

MANIFESTO

The Cambridge Document

MANIFESTO

The Double {+} Anchor: Notes Towards a Common Cause

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

ARTICLE

The State of Documentary

James Benning: Landscape Suicide

OBITUARY

Fragments for H: A Personal Tribute to Hrvoje Horvatic

INTERVIEW

A Story of Experimental Film

MANIFESTO

The Filmmaker as Symbiont

QUESTION AND ANSWER

Five Broken Cameras

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

ARTICLE

From across the Channel

Air Cries "Empty Water" + Decasia