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Close-Up New Year’s Eve Party, or: How I Learned to Stop Worrying and Love the Bomb

Marketa Lazarová

Vertigo! All Power to the Imagination

Motoharu Jonouchi: Avant-Garde Visions of 1960s Protest Movements

Open City Documentary Festival: The Art of Non-Fiction

Content Anxiety

Bogancloch

ARTICLE

Shadows of Sergei Paradjanov

By James Norton

ARTICLE

Instead of Dreaming of New Ideas

By Gill Henderson

ARTICLE

All in the Script? Then Why Make the Movie!

By James Leahy

SCRIPT

Script and Script Again

By Malcolm Mowbray

ARTICLE

Oska Bright at CINECITY, Brighton

By Jonathan Lemon

REVIEW

The Politics of Documentary: Michael Chanan’s Argument Considered

By Martin Carter

ARTICLE

Show and Tell: A Report on The Party and the Guests

By Michael Brooke

Related Items

Close-Up New Year’s Eve Party, or: How I Learned to Stop Worrying and Love the Bomb

Marketa Lazarová

Vertigo! All Power to the Imagination

Motoharu Jonouchi: Avant-Garde Visions of 1960s Protest Movements

Open City Documentary Festival: The Art of Non-Fiction

Content Anxiety

Bogancloch

ARTICLE

Shadows of Sergei Paradjanov

ARTICLE

Instead of Dreaming of New Ideas

ARTICLE

All in the Script? Then Why Make the Movie!

SCRIPT

Script and Script Again

ARTICLE

Oska Bright at CINECITY, Brighton

REVIEW

The Politics of Documentary: Michael Chanan’s Argument Considered

ARTICLE

Show and Tell: A Report on The Party and the Guests

Close-Up on Sergei Eisenstein