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ARTICLE
You See the End Before the Beginning Has Ever Begun
By
Owen Armstrong
ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
ARTICLE
The State of Things: Transition in South African Cinema
By
Jeremy Nathan
ESSAY
Scénario du Film Passion: Writing Video at the End of Cinema
By
Duncan White
ESSAY
Broken Trust of the Image
By
Dai Vaughan
INTERVIEW
End Zone: Moral Tales for our Times in Cristi Puiu’s The Death of Mister Lazarescu
By
Robert Chilcott
ARTICLE
Do Impossible Things: 1968 and its Legacies
By
Sukhdev Sandhu
ARTICLE
Things that Quicken the Heart
By
Catherine Lupton
ARTICLE
1968: The Year that Was, Was many Things
By
Tony Elliott
ARTICLE
In the Past, they Did Things Differently (or Did they?)
By
James Leahy
ARTICLE
Nokia-isation of Scottish Film Policy
By
Mark Cousins
INTERVIEW
Cinema of Attractions: On the Charismatic Worlds of Kiyoshi Kurosawa
By
George Clark
INTERVIEW
Distant Voices, Still Lives: An interview with Terence Davies
By
Peter Fraser
FILM
J. Edgar
Director:
Clint Eastwood
ARTICLE
Arden and Dali Loiter in the Streets
By
Sean Kaye-Smith
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