Archives

By Asu Aksoy

ARTICLE

Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List

By Linda Pariser

INTERVIEW

Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands

By William Fowler

ARTICLE

Sono Sion: The Dark Poet

By Maggie Lee

ARTICLE

Return of the Real: Introducing The Artists Cinema

By George Clark

REVIEW

Antonioni's The Passenger

By Henry K. Miller

ESSAY

Turn On, Tune In, Cop Out: The Commodification of Revolution

By Penny Rimbaud

ESSAY

The Hour of the Furnaces: Crafting a Revolutionary Cinema

By Mariano Mestman

ARTICLE

The Vanishing Map

By Stephen Barber

POEM

High Blue

By Tereza Stehlíkovà

ARTICLE

Luminous Days: Notes on the New German Cinema

By Ekkehard Knörer

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The Trial

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Capturing the Elephant

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Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List

INTERVIEW

Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands

ARTICLE

Sono Sion: The Dark Poet

ARTICLE

Return of the Real: Introducing The Artists Cinema

REVIEW

Antonioni's The Passenger

ESSAY

Turn On, Tune In, Cop Out: The Commodification of Revolution

ESSAY

The Hour of the Furnaces: Crafting a Revolutionary Cinema

ARTICLE

The Vanishing Map

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High Blue

ARTICLE

Luminous Days: Notes on the New German Cinema

MANIFESTO

The Cambridge Document

Free Radicals: A History of Experimental Film followed by Q&A with Pip Chodorov