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FILM

Fragments

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The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

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Dancing at the Crossroads

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Claiming the Real: The Documentary Film Revisited by Brian Winston

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In the Perceptible Field

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Why the Documentary Cinema?

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Reading the Darkness

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From Brit-Flicks to Shit-Flicks

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Dead Pan

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Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’

By Brad Prager
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The Future of Public Service Broadcasting

By Don Redding
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