Archives

By Margaret Dickinson and Simon Reynell

ARTICLE

What Was GATT About?

By Michael Chanan

ARTICLE

The Children of Godard and 90s TV

By James Leahy, Jamie Payne, David Styan, Karen Alexander

INTERVIEW

Interview with Chris Marker

By Dolores Walfisch

ARTICLE

Feel the Power, Experience the Pleasure: Contemporary Tehran and its Visual Culture

By Vahid Valizadeh

REVIEW

Do Fish Have Dreams?

By Almendra Maria Mcbride Perez

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

INTERVIEW

Hidden Treasure: Harmony Korine on Gummo

By Chris Darke

ARTICLE

Filming in Hot Sun: Kenya, Kibera and the Power of the Image

By Piotr Cieplak

INTERVIEW

Close Up on a Field without Definition

By David Curtis, Gary Thomas and William Raban

ARTICLE

Light Illusions Artists and Cinema; Filmmakers and Galleries

By Felicity Sparrow

MANIFESTO

Andrew Kötting’s eArthouse Declaration of Spurious Intent

By Andrew Kötting

INTERVIEW

The Filmmaker that Rises to the Surface of Clarified Butter

By George Clark and Mark A. Webber

Related Items

Al-Mumia: The Night of Counting the Years

Apostles, Arabesques and Spells: Seven Recent Films in the Millennium Film Journal

ARTICLE

Who's to Say What We Should and Shouldn't See?

ARTICLE

What Was GATT About?

ARTICLE

The Children of Godard and 90s TV

INTERVIEW

Interview with Chris Marker

ARTICLE

Feel the Power, Experience the Pleasure: Contemporary Tehran and its Visual Culture

REVIEW

Do Fish Have Dreams?

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

INTERVIEW

Hidden Treasure: Harmony Korine on Gummo

ARTICLE

Filming in Hot Sun: Kenya, Kibera and the Power of the Image

INTERVIEW

Close Up on a Field without Definition

ARTICLE

Light Illusions Artists and Cinema; Filmmakers and Galleries

MANIFESTO

Andrew Kötting’s eArthouse Declaration of Spurious Intent

INTERVIEW

The Filmmaker that Rises to the Surface of Clarified Butter