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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ARTICLE
Newsflash
ARTICLE
‘Amateur’ Auteurs
By
Rob Dennis
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
John Smith: Introspective (1972-2022)
ARTICLE
Born and Bred
By
Elzemieke de Tiege
ARTICLE
The Great Escape
By
Julian Petley
ARTICLE
Grosvenor Square: On Not Getting to Paris
By
Iain Sinclair
ARTICLE
Screen Academy Scotland
By
Pepe Petos, Lili Sandelin, Hermann Karlsson, Mattias Karlsson, Damian Wood, Paul Gray, Lin Anderson, Catriona Craig, Kelly Neal, Astrid Bussink, Joseph N Feltus and Neil Gillies
ARTICLE
Opportunities Knocked: Regional Broadcasters and Grant-Aided Film Production
By
Richard Taylor
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
The Gang that Can't Shoot Straight
By
Brian Robinson and Lucinda Henderson
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
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