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REVIEW

Paulo Antonio Paranagua, Mexican Cinema

By Rob Rix

ARTICLE

Joined-up Reading: The Problem of Subtitles

By Jane Giles

ESSAY

The Empire’s New Clothes: Sally Potter’s RAGE

By Sophie Mayer

ARTICLE

All my Eye and Aristotle: Editing European Films

By Roger Crittenden

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

By Jane Giles

INTERVIEW

Raúl Ruiz: Hypothesis and Enigma

By George Clark

ARTICLE

Cinémathèque Française

By Simon Cropper

ESSAY

The Hour of the Furnaces: Crafting a Revolutionary Cinema

By Mariano Mestman

ESSAY

"I am playing leapfrog with myself"

By Jürgen E. Müller

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

By Juliet Jacques

BIOGRAPHY

An Introduction to Chantal Akerman

By Vivian Ostrovsky

Related Items

REVIEW

Paulo Antonio Paranagua, Mexican Cinema

ARTICLE

Joined-up Reading: The Problem of Subtitles

ESSAY

The Empire’s New Clothes: Sally Potter’s RAGE

ARTICLE

All my Eye and Aristotle: Editing European Films

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

INTERVIEW

Raúl Ruiz: Hypothesis and Enigma

ARTICLE

Cinémathèque Française

ESSAY

The Hour of the Furnaces: Crafting a Revolutionary Cinema

ESSAY

"I am playing leapfrog with myself"

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

BIOGRAPHY

An Introduction to Chantal Akerman

Memory, Politics and Power

Pola X

Where Are You, Jean-Marie Straub?

Open City Documentary Festival