Archives

By Joe Parry

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

By Dai Vaughan

ARTICLE

Hungarian Cinema

By John Cunningham

QUESTION AND ANSWER

Seeing in the Dark

By Robert Chilcott, Gareth Evans

ARTICLE

The Great Escape

By Julian Petley

ARTICLE

Final Residues of the Image: On Marcus Reichert

By Stephen Barber

ARTICLE

Film sans Frontières

By Metin Alsanjak

Take Two: The Wages of Fear / Sorcerer

Never on Sunday

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

By Kathy Acker

ARTICLE

I never thought that one day I’d have to pin my hopes on Hitler

By Elke De Wit

ARTICLE

The History of Cinema and History in Cinema

By Chris Petit

ARTICLE

Man in a Box

By Anita Biressi and Heather Nunn

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

By Jane Giles

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Millennium Film Journal No. 81 Launch Screening

REVIEW

The Disappearance of Finbar I

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

ARTICLE

Hungarian Cinema

QUESTION AND ANSWER

Seeing in the Dark

ARTICLE

The Great Escape

ARTICLE

Final Residues of the Image: On Marcus Reichert

ARTICLE

Film sans Frontières

Take Two: The Wages of Fear / Sorcerer

Never on Sunday

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

ARTICLE

I never thought that one day I’d have to pin my hopes on Hitler

ARTICLE

The History of Cinema and History in Cinema

ARTICLE

Man in a Box

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor