Archives

By David Johnson

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

INTERVIEW

What is Animation? Bob Godfrey in Conversation

By Martin Pickles

ARTICLE

Julio Medem’s Basque Balls

By Rob Stone

ARTICLE

Hell at the Ocean's Edge

By Vaughan Pilikian

ARTICLE

Earth: The Artistic Rendition of Reality

By Owen Armstrong

INTERVIEW

One Meditation on Partition: Ken McMullen in Conversation

By James Leahy

POEM

High Blue

By Tereza Stehlíkovà

Derek Jarman's Super 8 Film Cycle

Histoire(s) du cinéma

SCRIPT

Fragments on Light and Memory

By John Bradburn

ARTICLE

Blindfolded Architecture

By Alicia Guerrero Yeste

ARTICLE

Nothing Is True. Everything Is Permissible.

By John Bradburn

ARTICLE

Homecoming: Reflections on Moving Images that Move us to Reflection

By Tereza Stehlíková

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Why and for Whom Do We Film Today?

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Julio Medem’s Basque Balls

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Hell at the Ocean's Edge

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Earth: The Artistic Rendition of Reality

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One Meditation on Partition: Ken McMullen in Conversation

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Derek Jarman's Super 8 Film Cycle

Histoire(s) du cinéma

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Fragments on Light and Memory

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Blindfolded Architecture

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Nothing Is True. Everything Is Permissible.

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Homecoming: Reflections on Moving Images that Move us to Reflection