Archives

By Louis Benassi

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

By Frances Guerin and Roger Hallas

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

ARTICLE

Workshops: a Dossier

By Margaret Dickinson, Anne Cottringer and Julian Petley

ARTICLE

Dancing at the Crossroads

By Sue Clayton

ARTICLE

Opportunities Knocked: Regional Broadcasters and Grant-Aided Film Production

By Richard Taylor

ARTICLE

Regeneration? Part I: The Lottery: Where Will all the Money Go?

By Steve McIntyre and Sally Hibbin

INTERVIEW

Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

By Robert Chilcott

ARTICLE

Don’t Let the Bastards Grind You Down!

By Michael Dampier

ARTICLE

Paulo Branco: Profile

By John Mount

ESSAY

The Cinema Effect

By Patrick Ellis

SCRIPT

The Western Lands: Proposals towards a Film

By Grant Gee

ARTICLE

A Post-Colonial Call to Arms

By Jonathan Mitchell

REVIEW

John Hill's British Cinema in the 1980s

By Gill Henderson

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VIDEO – (Im)materialists

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The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

ARTICLE

Workshops: a Dossier

ARTICLE

Dancing at the Crossroads

ARTICLE

Opportunities Knocked: Regional Broadcasters and Grant-Aided Film Production

ARTICLE

Regeneration? Part I: The Lottery: Where Will all the Money Go?

INTERVIEW

Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

ARTICLE

Don’t Let the Bastards Grind You Down!

ARTICLE

Paulo Branco: Profile

ESSAY

The Cinema Effect

SCRIPT

The Western Lands: Proposals towards a Film

ARTICLE

A Post-Colonial Call to Arms

REVIEW

John Hill's British Cinema in the 1980s