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By Metin Alsanjak

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

By Kathy Acker

Close-Up on István Szabó

ESSAY

It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard

By Robert Barry

MANIFESTO

Kino Korrespondence

By Ken McMullen

INTERVIEW

Connecting Movements

By Luke Burton

INTERVIEW

Challenging the Censorship in Iran

By Parviz Jahed

Pasolini's Notebooks

ARTICLE

Lindsay Anderson Notes

By John Anderton

EDITORIAL

Volume 1 - Issue 8 - Editorial

Close-Up on John Cassavetes

Celluloid Underground

ARTICLE

Filming in Hot Sun: Kenya, Kibera and the Power of the Image

By Piotr Cieplak

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Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

Close-Up on István Szabó

ESSAY

It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard

MANIFESTO

Kino Korrespondence

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Connecting Movements

INTERVIEW

Challenging the Censorship in Iran

Pasolini's Notebooks

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Lindsay Anderson Notes

EDITORIAL

Volume 1 - Issue 8 - Editorial

Close-Up on John Cassavetes

Celluloid Underground

ARTICLE

Filming in Hot Sun: Kenya, Kibera and the Power of the Image

Moloch