Archives

By David Fox

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Real Lives: Camcorder Cults

By Jon Dovey

ESSAY

Broken Trust of the Image

By Dai Vaughan

ESSAY

U.S. and Them: I’m Not There and American Surrealism

By Jerry White

SCRIPT

The Western Lands: Proposals towards a Film

By Grant Gee

ESSAY

Unbearable Lightness of a Moment: Impressions from Oberhausen and Beyond

By Tereza Stehlíková

ESSAY

Altered States

By Lucy Reynolds

INTERVIEW

The Quiet Genius of Victor Erice

By Geoff Andrew

INTERVIEW

Raúl Ruiz: Hypothesis and Enigma

By George Clark

ARTICLE

Hell at the Ocean's Edge

By Vaughan Pilikian

INTERVIEW

Distant Voices, Still Lives: An interview with Terence Davies

By Peter Fraser

INTERVIEW

Without a Mask: Liv Ullmann in Conversation

By Jone Karres Azurmendi

POEM

When I’m Gone

By Phil Ochs

Related Items

Millennium Film Journal No. 81 Launch Screening

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A Quiet Evening at Home: Desert Strike

ARTICLE

Why and for Whom Do We Film Today?

ARTICLE

Real Lives: Camcorder Cults

ESSAY

Broken Trust of the Image

ESSAY

U.S. and Them: I’m Not There and American Surrealism

SCRIPT

The Western Lands: Proposals towards a Film

ESSAY

Unbearable Lightness of a Moment: Impressions from Oberhausen and Beyond

ESSAY

Altered States

INTERVIEW

The Quiet Genius of Victor Erice

INTERVIEW

Raúl Ruiz: Hypothesis and Enigma

ARTICLE

Hell at the Ocean's Edge

INTERVIEW

Distant Voices, Still Lives: An interview with Terence Davies

INTERVIEW

Without a Mask: Liv Ullmann in Conversation

POEM

When I’m Gone