Archives

By Julien Petley

INTERVIEW

Return of the Frontiersman: Rudy Wurlitzer in Conversation

By Lee Hill

A Worm’s Tail View Is Often the True One: Films by Pere Portabella

ARTICLE

To the Independent Film Parliament

By Alex Cox

ESSAY

Dissident Surrealism

By Michael Eaton

ARTICLE

Whither the Avant-Garde: The ICA Biennial

By Chris Petit

ARTICLE

New Technology: Two or Three Things I Know about 'Media Effects'

By Julian Petley

ARTICLE

I Wanted a Girl so she Could Give me a Hand

By Rosy Rockets

ESSAY

At Risk of Interment: WG Sebald in Terezin and Breendonk

By Will Stone

ARTICLE

London: Why Is It so Hard to Enjoy?

By Mark Fisher

REVIEW

Plot in Cinematography: Victor Shklovsky, Literature and Cinematography

By Victor Shklovsky

OBITUARY

A Movie and Much, Much More: Iconic Artist Bruce Conner Remembered

By Jon Davies

ARTICLE

A New Era for Scottish Screen

By Christeen Winford

ARTICLE

Cruising the Zeitgeist

By Robert Chilcott

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Peter Hutton's Haikus I

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From Brit-Flicks to Shit-Flicks

INTERVIEW

Return of the Frontiersman: Rudy Wurlitzer in Conversation

A Worm’s Tail View Is Often the True One: Films by Pere Portabella

ARTICLE

To the Independent Film Parliament

ESSAY

Dissident Surrealism

ARTICLE

Whither the Avant-Garde: The ICA Biennial

ARTICLE

New Technology: Two or Three Things I Know about 'Media Effects'

ARTICLE

I Wanted a Girl so she Could Give me a Hand

ESSAY

At Risk of Interment: WG Sebald in Terezin and Breendonk

ARTICLE

London: Why Is It so Hard to Enjoy?

REVIEW

Plot in Cinematography: Victor Shklovsky, Literature and Cinematography

OBITUARY

A Movie and Much, Much More: Iconic Artist Bruce Conner Remembered

ARTICLE

A New Era for Scottish Screen

ARTICLE

Cruising the Zeitgeist