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ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ARTICLE
Why the Documentary Cinema?
By
Henri Storck
ARTICLE
Transitions: Cinema and Video Art from Georgia
By
James Norton
ARTICLE
In a Lonely Place: Tony Grisoni’s Kingsland
By
Iain Sinclair
ARTICLE
Making the Political Personal
By
Owen Armstrong
ARTICLE
Kate Adams: Feeling and Knowing
By
Catherine Elwes
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
DOCUMENT
Barton Aerodrome: From a Work-in-Process
By
Nicholas Royle
ARTICLE
Bringing it all Back Home
By
Yto Barrada
ESSAY
‘Eyewitness’ Documentary and the Fabrication of ‘Truth’
By
Phil Gunson
LETTER
The Floor
By
Reuben Lane
REVIEW
Subtitles: On the Foreignness of Film
By
Chris Darke
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