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ESSAY
Kira Muratova’s Searing World
By
Elena Gorfinkel
Grandma’s Grammar: Memory’s Hands
ARTICLE
African Cinema: Addressee
By
Rod Stoneman
ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
REVIEW
The Disappearance of Finbar II
By
Sean Cubitt
OBITUARY
Tributes: Tomas Gutierrez Alea
By
Julio Garcia Espinosa and Michael Chanan
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ARTICLE
Love You to Death
By
Rosy Rockets
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ARTICLE
Moving Memories: Variety
By
Ian Breakwell
DOCUMENT
Fragments from Zeroville
By
Chris Darke
OBITUARY
A Snail’s Trail in the Moonlight
By
Mark Webber
ARTICLE
Her Name Is Sabine
By
David Balfour
QUESTION AND ANSWER
Pawel Pawlikowski Masterclass: Between Documentary and Drama
By
Doc House
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