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ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch
MANIFESTO
Kino Korrespondence
By
Ken McMullen
ESSAY
Broken Trust of the Image
By
Dai Vaughan
INTERVIEW
The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema
By
James Norton
INTERVIEW
Life as it Is
By
Mar Diestro-Dópido
Close-Up on Peter Tscherkassky and Eve Heller
INTERVIEW
Documenting Nostalgia, Memory and Home
By
Nancy Harrison and Lee Hill
Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch
Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
ARTICLE
The Memory of the World
By
Esther Johnson
INTERVIEW
Treasures from the Archives
By
Parviz Jahed
ESSAY
24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde
By
Juliet Jacques
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