Archives

ARTICLE

Story of I

By Kimberley Cooper

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

By James Norton

ESSAY

Three Images of May: Cinema and the Uprising

By Chris Darke

QUESTION AND ANSWER

Remake

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

By Juliet Jacques

Close-Up on Michael Haneke

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

Matthias Müller Early Film Works

ARTICLE

There Are no Lions in the Scottish Highlands

By John Riley

REVIEW

Pasolini and Sade: A Maleficent Obsession

By Stephen Barber

ARTICLE

Nothing Is True. Everything Is Permissible.

By John Bradburn

ARTICLE

Doomed L’Amour de la Mer

By Robert Chilcott

ESSAY

Entering the Desert: The Book of Film Socialisme

By James S. Williams

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ARTICLE

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INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

ESSAY

Three Images of May: Cinema and the Uprising

QUESTION AND ANSWER

Remake

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

Close-Up on Michael Haneke

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

Matthias Müller Early Film Works

ARTICLE

There Are no Lions in the Scottish Highlands

REVIEW

Pasolini and Sade: A Maleficent Obsession

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Nothing Is True. Everything Is Permissible.

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Doomed L’Amour de la Mer

ESSAY

Entering the Desert: The Book of Film Socialisme

The Diary of a Country Priest

Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch