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Pil and Galia Kollectiv: The Plague and Its Segmentations and Other Works
Ma l’amore mio non muore!
Walerian Borowczyk: Obscure Pleasures
Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch
Matthias Müller Early Film Works with Dirk Schaefer in conversation
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
This Spring, Leaves May Be Banned
By
Rosy Rockets
ARTICLE
Cobra Mist: Emily Richardson and the Legacy of Orford Ness
By
Will Stone
ARTICLE
Has Anyone Seen this Girl?
By
Chris Darke
ARTICLE
Considerations
By
Gareth Evans
POEM
Hideyhole and the Innersanctum
By
Andrew Kötting
REVIEW
Godard as God?
By
Emilie Bickerton
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
Close-Up on Robert Bresson
ESSAY
24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde
By
Juliet Jacques
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