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A Film Like Any Other
King Lear
The Olive Trees of Justice
Werckmeister Harmonies
Close-Up on Chantal Akerman
ARTICLE
Turning to Dust: The Gothic Cinema of Philip Ridley
By
James Rose
ARTICLE
Being There: Virtual Reality in the Cinema
By
Jim McClellan
ARTICLE
The Very Model of a Funding Agency: Reflections on the London Film and Video Development Agency
By
Steve McIntyre
ARTICLE
The Mind's Eye: Chris Marker Level Five
By
Allan Francovich
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
Writing Red Riding
By
Tony Grisoni
INTERVIEW
Food for Ravens
By
Marc Karlin
INTERVIEW
The Silent Majority
By
Owen Armstrong
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
INTERVIEW
Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema
By
Gareth Evans
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