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ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
ESSAY
Divisions Upon a Ground
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
INTERVIEW
The Eyes Have It
By
SF Said
REVIEW
Situationism Now
By
David Pinder
ARTICLE
Dead Pan
By
Mike Sperlinger
REVIEW
A Cut Above
By
Catherine Elwes
REVIEW
The Poetry of Commitment
By
Gareth Evans
ARTICLE
Persistent Fallacy Gives Good Rhetoric
By
James Leahy
ARTICLE
The Art of Showing Nothing
By
Rosy Rockets
REVIEW
Future Cinema & Trafic 50
By
Chris Darke
ARTICLE
The Lisbon International Documentary Film Festival
By
Hannah Patterson
REVIEW
Video Art
By
Catherine Elwes
ARTICLE
Emotional Locations: A Meeting with Ryuichi Hiroki
By
Maggie Lee
INTERVIEW
The London Film School at 50
By
Robert Chilcott
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