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ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

Performance Films II

SCRIPT

Cinema Of Prayōga: Indian Experimental Film & Video 1913-2006

By Tanya Singh

ESSAY

From First Principles: A Prehistory of the Slade Film Department

By Henry K. Miller

ESSAY

Passenger: Reflections on the Unfinished Film of Andrzej Munk

By Dai Vaughan

ARTICLE

Film Frame to Skin Cell

By Niamh McDonnell

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

November Film Festival Programme 6

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch

ARTICLE

The Hours Is Not a Film

By John Bradburn

ARTICLE

Moving Memories: Video / Film – Archival Traces

By Nick Stewart

REVIEW

A. L. Rees's A History of Experimental Film and Video

By Felicity Sparrow

Related Items

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

Performance Films II

SCRIPT

Cinema Of Prayōga: Indian Experimental Film & Video 1913-2006

ESSAY

From First Principles: A Prehistory of the Slade Film Department

ESSAY

Passenger: Reflections on the Unfinished Film of Andrzej Munk

ARTICLE

Film Frame to Skin Cell

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

November Film Festival Programme 6

ARTICLE

Why and for Whom Do We Film Today?

Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch

ARTICLE

The Hours Is Not a Film

ARTICLE

Moving Memories: Video / Film – Archival Traces

REVIEW

A. L. Rees's A History of Experimental Film and Video

Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch

Close-Up Cinema First Anniversary Party and Liberated Film Club Programme Launch