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Close-Up on Shirley Clarke
A Worm’s Tail View Is Often the True One: Films by Pere Portabella
Histoire(s) du cinéma
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Real Lives: Camcorder Cults
By
Jon Dovey
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ESSAY
Unbearable Lightness of a Moment: Impressions from Oberhausen and Beyond
By
Tereza Stehlíková
ESSAY
Altered States
By
Lucy Reynolds
INTERVIEW
The Quiet Genius of Victor Erice
By
Geoff Andrew
INTERVIEW
Raúl Ruiz: Hypothesis and Enigma
By
George Clark
POEM
Hideyhole and the Innersanctum
By
Andrew Kötting
ARTICLE
Sex, Violence and Politics – Japanese Style
By
Jasper Sharp
ARTICLE
Pictures Enlightened
By
Jerry White
INTERVIEW
From the Beats to the Beastly
By
Jay Clifton
ESSAY
No Hope without the Possibility of a Wound
By
Gareth Evans
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