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Close-Up on Shirley Clarke

A Worm’s Tail View Is Often the True One: Films by Pere Portabella

Histoire(s) du cinéma

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Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
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Real Lives: Camcorder Cults

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Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

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Unbearable Lightness of a Moment: Impressions from Oberhausen and Beyond

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Altered States

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The Quiet Genius of Victor Erice

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Raúl Ruiz: Hypothesis and Enigma

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Hideyhole and the Innersanctum

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ARTICLE

Sex, Violence and Politics – Japanese Style

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Pictures Enlightened

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From the Beats to the Beastly

By Jay Clifton
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No Hope without the Possibility of a Wound

By Gareth Evans
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