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ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
INTERVIEW
For Cannes or Abidjan?
By
Holly Aylett
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
ARTICLE
Julio Medem’s Basque Balls
By
Rob Stone
MANIFESTO
Vision Machine: a Web of Stories, Networked Solidarities
ARTICLE
Film Criticism: Why Bother?
By
Chris Darke
ARTIST'S PAGES
Black Sun
By
Gary Tarn
BIOGRAPHY
Remembering Margaret Tait (1918-1999)
By
Annabel Nicolson, Peter Todd, Ute Aurand, Sarah Wood
ARTICLE
A Canadian in London
By
Catherine Elwes
DOCUMENT
Counterpoint: Three Movies, a Book and an Old Photograph
By
Don DeLillo
OBITUARY
Nik Houghton 1955 - 2006
By
Michael Mazière
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
OBITUARY
The Chronicle of Daniele Huillet
By
James Norton
ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
REVIEW
Man Push Cart
By
Peter Fraser
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