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Derek Jarman's Super 8 Film Cycle
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Film Frame to Skin Cell
By
Niamh McDonnell
ARTICLE
Kinoteka: Notes Towards London’s Sixth Polish Film Festival
By
Nancy Harrison
ARTICLE
Planet Film, 24 Frames at a Time
By
Nicholas Royle
REVIEW
Rethinking Animation: the animate! Book
By
David Jenkins
ARTICLE
7% and Rising: The 2007 Bird's Eye View Film Festival
By
Nancy Harrison
November Film Festival Programme 3
Relentless Melt No. 31: Abstract and Experimental Animation from Hong Kong
ARTICLE
Fajr Film Festival Diary, Iran
By
Michael Chanan
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
DOCUMENT
The Abingdon Film Unit
By
Jeremy Taylor
|
Michael Grigsby
Essay Film Festival: Drylongso
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